Danielle Savre on letting go of perfection

Top ZARA, pants FRAME, shoes stylist’s own, earrings BOND HARDWARE, ring EYEBA.

“Playing Maya has taught me that you have to balance work and your personal life. I feel like I’ve been working for so long — I’ve been working since I was seven — which is not a bad thing at all, I love working. I’m probably a little bit too much of a workaholic, but it’s always been a priority, and Maya’s arc sheds light on the fact that your personal life has to have its priorities too and there have to be boundaries.”

Covering our Summer 2023 issue, Danielle Savre is best known for playing fan-favorite character Maya Bishop on ABC’s Station 19. Danielle discusses balancing work with her personal life, embracing her accomplishments, and her Station 19 directorial debut.

Thank you for taking the time to chat! First, let’s talk about your experience directing this episode. What was it like and would you want to dive into it more?

I absolutely would love to dive into it more! I can’t wait to do it again — it was so rewarding! It took five years of begging and fighting for it on Station 19 to get the opportunity to direct an episode, so when I finally got there I was really excited about the episode I got. It was a huge episode and I’m so happy it was ‘cause the challenge was so rewarding and it paid off so well. I’m proud and I love this episode. It’s been a great experience!

Bishop and Deluca’s relationship has been rocky this season, so what can fans expect to see from them moving forward?

I think they finally turned the corner on that. I hope that they’re finally starting to date again. They’re learning to trust each other again and I’m hoping that we’ll continue to see that grow as it did when we first saw them dating seasons ago. I hope that they’ll eventually be in a place where they’re ready for childhood again — to be parents. We’ll see, hopefully that will be nice. In the future (season 7), I would love it if that storyline finally plays out. I think it’s time! The fans are really ready for it, and I think Maya has finally done the work and she herself is ready for it.

Beckett makes his return to 19 in this episode. What are your thoughts about him returning so soon? Do you think that there’s still work that needs to be done? We see him give an ax to Ruiz at the end of the episode. What do you think this symbolizes? 

I think he (Beckett) still has a ton of work to do. In my own personal opinion, he’s a little bit in denial. In a weird way, he’s accepted it, but I think what Beckett’s going through and how he’s processing that will really play out in the next episode. My episode really sets up the storylines that are gonna play out in the final two episodes and I’m really proud of that as well. 

I think you have to wait and see! What that ax symbolizes is really going to show itself in the next episode. Stay tuned to see what giving it up means!

Ross and Sullivan are going through it in the worst way! Do you think this will all blow over for them?

I hope they can finally communicate. I hope that their relationship can exist — that a woman in such a powerful position can find love and not have to choose between her job and her romantic life. I really hope that’s what ends up happening with them and they find a way to make it work. It gives hope, it’s so sad at the end. Merle Dandridge did such a beautiful job delivering the nuances of those scenes, especially since there wasn’t much dialogue. She showed so much in her face and did such a great job of showing that this woman is really struggling. She loves this person and it’s the love of her life and yet she has to do what’s right for her career as well. She has to fight for all the women that look up to her and are inspired by her, as the first female chief of Seattle. I hope it’s a story that eventually plays itself out as showing that you can have it all — that would be nice.

Jacket ANNAKIKI, tights CALZEDONIA, shoes NO NAME.

I know this is an emotionally heavy show, so what does your self-care routine look like?

Oh my goodness! It depends. It can be physically and emotionally taxing at times. As you saw this season, Maya had a ton of emotions and ups and downs and very hard scenes to shoot. 

From an emotional standpoint, it can be really hard at times to get my head out of those spaces after I’m done filming. I did struggle a little bit with getting out of that headspace. There were a couple episodes we shot that I just couldn’t get out of it. Having that support system around you, trying to make sure I’m going to watch a funny movie tonight, or go out with friends … whatever I think might get me in the right headspace and remind me that where I got my head to get to for those emotional scenes is not reality. Chocolate never hurts! I think anyone that knows me I have a sweet tooth so that always helps as well. 

My self-care routine for the physically taxing stuff is making sure I do preventative care. Stretching, yoga, going to an infrared sauna and listening to a meditation … I love doing that and it’s really close to the stages so that’s always great for my mind and body.

It’s taxing both physically and emotionally, which is what makes it so rewarding but those would be my self-care routines — and of course sleep!

What was your favorite moment directing or acting wise in this week’s episode?

I kind of forgot I was acting because I felt like I had the director’s hat on, so when I was watching the episode and editing it with our editor, I was like ‘wow I have that huge scene with Jonathan Slavin where I’m yelling at the angry driver.’ That was a rewarding scene as an actor to do and see how it turned out because on the day, I was just directing, and I couldn’t even remember what I did in that scene.

From directing, the episode as a whole. I can’t pick one specific scene. I am so grateful that Emily Culver (the writer) gave me so much to work with. She really challenged me in the best ways. She knows I do well under pressure so that’s maybe why she did that. I love our entire crew and how they came together and really supported me throughout the entire episode from prep to post. They showed how much they love me because they really all brought it and everything I asked for. Every vision I had, the DP executed perfectly, the camera operators knocked out of the park, and the actors were on point the entire time as well.

The whole experience was so rewarding as a whole. It’s bittersweet because I’ll never experience it as a first again. Now the scary experience will be to knock the second one out of the park as well. I’ll always cherish this first episode and how everyone showed up for me in ways I’ll never be able to verbalize — I’m so grateful and thankful to our crew and cast. 

I know you’re working on getting your pilot’s license. Talk a little about that. How is it going?

It’s been on hold because my brain has been completely wrapped up in directing and making sure I give all my time to that, but I am going to be getting back into it after this week. My episode airs and then I have an online convention to do with the fans on Sunday, which I’m excited about, then next week I’m gonna start flying again! Most schools require 40 hours, which I’m close to, but the problem is that I don’t want to get my license until I feel like I’m ready. When I take these breaks, I need to do a whole refresher course to get back to where I feel comfortable. It would be nice to get my license during this hiatus, if I can complete it, but if not, hopefully by the end of the year. 

Blazer RONNY KOBO, pants MITILIANE COUTURE, shoes FEMME LA, rings BOND HARDWARE and ELISHEVA & CONSTANCE, earrings stylist’s own.

You’re an ambassador for CARE! Tell us about the organization and the work you do with them. 

CARE is such a fantastic organization! They’ve been around forever. Most people that I talk to know about them. I had never heard about them until one of our writers in season 2 (Angela) introduced me to them. They were one of the first organizations that let me be hands on. When I became a series regular on Station 19, I wanted to use my recognition and platform to speak up about causes that were important to me, but so many organizations that I talked to and wanted to support just wanted me to donate or raise money. I felt that was false and wasn’t right. When I met CARE, they introduced me to their organization and sent me to Washington D.C. for their convention. I went there for three days and met all the other people who work at CARE, as well as those who work in politics in D.C. to fight for CARE. I asked a million questions and they answered every single one, which showed me how transparent they were.

What is something you’ve taken away from playing Maya Bishop?

She’s had such a phenomenal arc throughout all these seasons and gone through so many ups and downs, even though a lot of those downs are her own doing. Playing Maya has taught me that you have to balance work and your personal life. I feel like I’ve been working for so long — I’ve been working since I was seven — which is not a bad thing at all, I love working. I’m probably a little bit too much of a workaholic, but it’s always been a priority, and Maya’s arc sheds light on the fact that your personal life has to have its priorities too and there have to be boundaries. You have to let go of the unattainable desire to be perfect, and be happy in the successes you have — to be happy in the moment and embrace your accomplishments — instead of constantly fighting for the next achievement, which is what Maya does and a little bit of what I do. She does it to an extreme because she’s a fictional character. I’m really learning through her and by her. Maya has to really find that balance and set boundaries, and know when to go for it when she wants something and when it’s time to step back and let other people shine. I’m really enjoying that permission to just relax every once in a while even though I’m not great at it.

To wrap it up, the show was announced to come back for season 7! Any teasers on what’s to come?

I wish I knew! Our writers are absolutely fantastic, and I’m sure they will come up with more brilliant storylines and beautiful monologues and speeches for us to all play. I can’t wait to see what they’re gonna do. We have new showrunners this season. The show is being co-run by Zoanne Clack and Peter Paige, and we’re in great hands. It’s a great hand off from Krista Vernoff, who did such amazing work with us for the last four years, to now have Peter and Zoanne take the reins. I’m excited to see what they’re gonna do with it, and to see what’s going to happen with Maya and where her journey is going to take her from here.

Photography IRENE CHEN

Fashion CALLI MARTIN

Hair SYDNEY STAEHLE

Makeup DANIELE PIERSONS at ATELIER MANAGEMENT

Words DANIELLE TAYLOR

Photography Assistant PETER NGUYEN

Retouch DIANA NEHREBETSKA

Special thanks to INDEPENDENT PR

4 Comments

  • Sondra

    I really love the down to earth frailties and yet strong people and real life in this show, it’s my favorite show every week!

  • Monica

    Really love this interview with the beautiful, amazing, and multi-talented Danielle Savre☺️✨. This interview is really inspiring in so many ways, especially about “the fact that your personal life has to have its priorities too and there have to be boundaries.” Thanks Narrarive and Danielle for this awesome read🙌🏻👏🏻👍🏻.

    • Adrienne

      I so agree with everything you expressed! Love Station 19!!

  • Elizabeth Grant

    I have enjoyed watching her blossom in the industry. I had the pleasure of meeting her in college. Danielle is very outgoing and has a wonderful attitude towards others. I am just so happy that she is doing so well.

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